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Beginnings, psychedelic, jazz fusion (1966–68, 1969–71)
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Early Softs with Daevid Allen
Soft Machine (billed as The Soft Machine up to 1969 or 1970) were formed in mid-1966 by Robert Wyatt (drums, vocals), Kevin Ayers (bass, guitar, vocals), Daevid Allen (guitar) and Mike Ratledge (organ). Allen, Wyatt and future bassist Hugh Hopper had first played together in the Daevid Allen Trio in 1963, occasionally accompanied by Ratledge. Wyatt, Ayers and Hopper had been founding members of The Wilde Flowers, later incarnations of which would include future members of another Canterbury band, Caravan.
This first Soft Machine line-up became involved in the early UK underground, featuring prominently at the UFO Club, and subsequently other London clubs like the Speakeasy Club and Middle Earth. In April 1967 they recorded seven demo songs with producer Giorgio Gomelsky in De Lane Lea Studios that remained unreleased until 1971. They also played in the Netherlands, Germany and on the French Riviera. During July and August 1967, Gomelsky booked shows all along the Côte d'Azur with the band's most famous early gig taking place in the village square of Saint-Tropez. This led to an invitation to perform at producer Eddie Barclay's trendy 'Nuit Psychédélique[fr]', performing a forty-minute rendering of 'We Did It Again', singing the refrain over and over, achieving a trance-like quality. This made them instant darlings of the Parisian 'in' crowd, resulting in invitations to appear on leading television shows and at the Paris Biennale in October 1967. Upon their return from their sojourn in France, Allen (an Australian) was denied re-entry to the United Kingdom, so the group continued as a trio, while he returned to Paris to form Gong.
Soft Machine - The First album
Sharing the same management team as Jimi Hendrix, the band were rewarded with a support slot on the Jimi Hendrix Experience's North America tour throughout 1968. Soft Machine's first album – a psychedelic rock/proto-prog classic – was recorded in New York in April at the end of the first leg. Back in London, guitarist Andy Summers, later of The Police, joined the group following the breakup of Dantalian's Chariot (previously Zoot Money's Big Roll Band). After a few weeks of rehearsals, the new quartet began a tour of the USA with some solo shows before reuniting with Hendrix for a final string of dates in August–September 1968. Summers, however, had in the meantime been fired at the insistence of Ayers, who himself also departed amicably after the final tour date at the Hollywood Bowl in mid-September, and for the remainder of 1968, Soft Machine were no more. Wyatt stayed in the US to record solo demos, while Ratledge returned to London and began composing in earnest.
In December 1968, in order to fulfill contractual obligations, Soft Machine re-formed with former road manager and composer Hugh Hopper on bass added to Wyatt and Ratledge, and set about recording their second album, Volume Two, which launched a transition towards a purely instrumental sound resembling what would be later called jazz fusion. In May 1969 this line-up acted as the uncredited backing band on two tracks of Syd Barrett's solo debut album, The Madcap Laughs. The base trio was, later in 1969, expanded to a septet with the addition of four horn players, though only saxophonist Elton Dean remained beyond a few months, the resulting Soft Machine quartet (Wyatt, Hopper, Ratledge and Dean) running through Third (1970) and Fourth (1971), with various guests, mostly jazz players (Lyn Dobson, Nick Evans, Mark Charig, Jimmy Hastings, Roy Babbington, Rab Spall). Fourth was the first of their fully instrumental albums, and the last one featuring Wyatt.
Their propensity for building extended suites from regular sized compositions, both live and in the studio (already in the Ayers suite in their first album), reached its apogee in the 1970 album Third, unusual for its time with each of the four sides featuring one suite. Third was also unusual for remaining in print for more than ten years in the US, and is the best-selling Soft Machine recording.[13]
This period saw them gaining unprecedented acclaim across Europe, and they made history by becoming the first 'rock band' invited to play at London's Proms in August 1970, a show which was broadcast live on national TV and later appeared as a live album.
Softmachine 1970 Proms
Post- Robert Wyatt era (1971–72)
After differences over the group's musical direction, Wyatt left (or was fired from[14]) the band in August 1971 and formed Matching Mole (a pun on machine molle, French for soft machine; also said at the time to have been taken from some stage lighting equipment 'Matching Mole'). He was briefly replaced by Australian drummer Phil Howard. This line-up toured extensively in Europe during the end of 1971 (attested by the 'Drop' 2008 release) and attended the recording of their next album, but further musical disagreements led to Howard's dismissal after the recording of the first LP side of Fifth before the end of 1971 and, some months later, in 1972, to Dean's departure. They were replaced respectively in 1971 by John Marshall (drums) and in 1972 by Karl Jenkins (reeds, keyboards), both former members of Ian Carr's Nucleus, for the recording of Six (1973), and the band's sound developed even more towards jazz fusion.
Karl Jenkins era part #1 (1972–78)
Soft Machine with Allan Holdsworth
In 1973, after the release of Six, Hopper left and was replaced by Roy Babbington, another former Nucleus member, who had already contributed with double bass on Fourth and Fifth and took up (6-string) electric bass successfully, while Karl Jenkins progressively took over the role of band-leader and main composer. After they released Seven (1973) without additional musicians, the band switched record labels from Columbia to Harvest. On their 1975 album, Bundles, a significant musical change occurred with fusion guitarist Allan Holdsworth adding guitar as a very prominent melody instrument to the band's sound, sometimes reminiscent of John McLaughlin's Mahavishnu Orchestra, setting the album apart from previous Soft Machine releases, which had rarely featured guitars.
Soft Machine with John Etheridge
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On the last official studio album Softs (1976), Holdsworth was replaced by John Etheridge. Ratledge, the last remaining original member of the band, had left during the early stages of recording. Other musicians in the band during the later period were bassists Percy Jones (of Brand X) and Steve Cook, saxophonists Alan Wakeman and Ray Warleigh, and violinist Ric Sanders. Their 1977 performances and record (titled Alive and Well, ironically) were among the last for Soft Machine as a working band, their very last performance (until the 1984 reformation) being the only Soft Machine concert of 1978.
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Jenkins era part #2 (1980–81; 1984)
The Soft Machine name was used for the 1981 record Land of Cockayne (with Jack Bruce and, again, Allan Holdsworth, plus Ray Warleigh and Dick Morrissey on saxes and John Taylor on electric piano), and for a final series of dates at London's Ronnie Scott's Jazz Club in the summer of 1984 ]featuring Jenkins and Marshall leading an ad hoc lineup of Etheridge, Warleigh, pianist Dave MacRae and bassist Paul Carmichael.
Soft Machine Legacy (2004- 2015)
'Soft Machine Legacy' was launched in Turkey in Oct, 2004. The intriguing line-up of Elton Dean, Hugh Hopper, John Etheridge and John Marshall was a coalition of 4 long-time servers in different eras of the legendary group Soft Machine, but who had not played before as a unit. With the enthusiastic management of MoonJune in New York - the band quickly established a recording and touring schedule in Europe playing a repertoire of new originals and some vintage pieces. Highlights including appearances at the Umbria Jazz Festival and Leverkusen Jazz Festival (televised).
In 2006 came the sad death of Elton Dean, whose place was taken by young blood Theo Travis, who has a continuing association with Progressive Bands and Artists such as Gong, Robert Fripp, David Gilmour and Steven Wilson and was thus perfectly sympathetic to the music.
After a long illness Hugh Hopper sadly passed away in 2008. A decision was taken to continue with Roy Babbington - thus reuniting 3/5ths of the 1975-77 line up that recorded the acclaimed 'Softs' album. This line up toured extensively including in Italy, France, Japan, Netherlands and the UK. In 2012 the band was featured at the Frankfurt Jazz festival with special guest Keith Tippett on piano – a successful line-up that played several shows in the UK afterwards. On a trip to Japan in 2015, the band performed several shows with Gary Husband on drums replacing the unwell Marshall and guest Keith Tippett on piano.
Soft Machine Legacy with Gary Husband
Soft Machine 2018
The beauty of Soft Machine’s legacy – and of Soft Machine Legacy, the band – is that nearly a half-century after the original group’s inception, that legacy is far from stagnant but continues to evolve to this day. Ever since Soft Machine Legacy was first formed, the group has amply demonstrated that it is no mere exercise in nostalgia, lazily mining the Soft Machine back catalog; instead, SML has admirably carried the parent group’s spirit of inquiry and exceptional standard of musical excellence forward into the present.
Soft Machine – The Return. (2016- )
Since 2016 the band formerly known as Soft Machine Legacy was from then on rightfully called ‘Soft Machine’. The Legacy tag, never in fact legally required, was officially dropped. The band toured the UK both in 2016 and 2017, and also performed in Italy, Macedonia, France, Belgium and the Netherlands. In 2018 the band went into Jon Hiseman’s recording studio to record the first album under the name Soft Machine in 37 years – ‘Hidden Details’.
Soft Machine by Robyn Koh
For further information see also the excellent book ‘Out Bloody Rageous’ by Graham Bennett.
Most Popular Online Slot Games
All Aristocrat Slot Games
The Original Hold and Spin Bonus Features with Distinctive Themes
Go to any US casino and you’ll find multiple slots with variations of ‘hold and spin’ features. These involve symbols with cash awards instead of the regular ones. You’ll have 3 spins to continue hitting them – run out of spins and you win whatever is on the screen.
This idea was pioneered by slot maker Aristocrat. The first games to feature a ‘Hold and Spin’ bonus were the ‘Lightning Link’ and ‘Dragon Link’ titles – first released in 2015. There were also ‘Lightning Cash’ variations, which had stand-alone jackpots instead of shared ones.
Here are the most popular Lightning Link slot machine games:
- Wild Chuco (Wild West)
- Magic Pearl (Under Sea / Mermaid)
- High Stakes (Vegas / High-Roller)
- Happy Lantern (Asian)
- Tiki Fire (Hawaiian / Volcano)
- Sahara Gold (Desert / Oasis)
- Best Bet (Horse Racing)
Each has its own free spins bonus game in addition to the hold and spin. Each Lightning Link slot machine has a linked jackpot. You can win the biggest – or Grand Jackpot – by filling the entire screen with symbols during the hold and spin bonus feature.
This guide to Lightning Link slots shows you how the games work and where you can play them at legal casinos around the US.
Lightning Link Slots: Setup and Basics
These slots kick-started a new phase of innovation from many slot studios. You might be surprised to know that they did not use a crazy reel setup or other gimmick to do this. All the Lightning Link slots have a simple 5×3 reel setup.
Win-lines and the size of the coins you spin for are changeable. You can choose 25 or 50 win-lines (fewer at the high-roller level denominations), and coins from 1c to 10c are standard. You will notice the Mini and Minor jackpots change as you move up the coin sizes.
Each of the games has wild symbols in play to connect additional wins. There are stacked symbols on the reels, making it common to cover one or more reels with the same symbol. Your biggest wins will come from those times you cover the entire reels with one of the higher paying symbols.
How the Hold and Spin Bonus Feature Works?
The main attraction of the Lightning Link slot family of games is the Hold and Spin bonus. Each game has symbols which show either numbers or the words Mini, Minor or Major – which are the 3 smaller jackpots. The symbols containing the numbers are themed.
For example, pearl symbols in the Magic Pearl game and Horseshoes in ‘Best Bet’.
Sometimes, these will simply block the regular symbols, getting in the way of your wins. What you need is 6 or more to land on a single spin. This triggers a ‘Hold and Spin’ feature.
You now see the regular symbols fade away, so they are barely visible. You get 3 spins with your cash awards held in place to hit more of them. Each time you hit one or more new awards, the number of spins resets to 3. If you spin 3 times with no extra wins, then your bonus ends, and your winnings count up with lightning strike effects.
To win the big linked Grand jackpot you need to fill all 15 spots on the reels with these special symbols.
Free Spins Bonus Games on Lightning Link Slots
Aristocrat developed free spins bonuses which help keep these games varied. These variations are shared with the Dragon Link and Lightning Cash games. The amount of free spins you win varies by game, with a minimum of 3 bonus symbols needed to trigger.
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These can be profitable bonuses, which is reflected in the lower level of free spins you get on some of the Lightning Link titles.
Here are some examples of Lightning Link slots free spins feature:
- Magic Pearl: You get 6 free spins with giant symbols. Here the middle 3 reels turn into one big one. You’ll get a 3×3 symbol – which always lands flush with the reels. This can be a wild (mermaid), a bonus symbol, or a pearl. Hitting a pearl will trigger a Hold and Spin bonus.
- Best Bet: This free spins bonus removes all the lower paying symbols from the reels. This not only give you a better shot at hitting bigger wins, it increases your chances of hitting 6 horseshoes for a hold and spin.
- Wild Chuco: This wild-west themed game features ‘reveal’ symbols in the bonus. While you spin, long lines of symbols with ‘Wanted’ posters will appear. They open to reveal matching symbols when the spinning stops. It is possible to reveal gold coins for the Hold and Spin.
- High Stakes: This free spins bonus is the same as for Magic Pearl. The symbols are all Las Vegas themed. If you get a giant chip, then you’ll start the Hold and Spin.
- Sahara Gold: You need to pick a chest to get this bonus started. You’ll find out how many free spins you won, and how many camel silhouette symbols are added to the reels. These are wilds, giving you plenty of potential for bigger wins.
There are expanding wild symbols during the base game in many of these titles too. Grand Jackpots are linked between the games in each casino. The ‘Major’ jackpots accumulate on individual machines.
Where to Play Lightning Link Slots in the USA?
You’ll find these slots in land-based and riverboat casinos from coast to coast. Many casinos Lightning Link slots in banks, where you’ll find all the titles in a group. You’ll find these in casinos in New Jersey, Pennsylvania, Iowa and, of course, in Las Vegas.
Online these games can be found in the form of play-money only apps, though have not yet appeared in the regulated online casinos rolling out across the US. Many Aristocrat slot titles are appearing online in mobile casino apps and websites – so hopefully we will see Lightning Link slots games at legal US casinos in the near future.
Many Copies – Only One Original: Lightning Link Titles
This range of slots captured the imagination of players around the country. The Hold and Spin bonus and jackpots is the common theme. Each title then has a distinctive theme, and different take on how to run a free spin bonus round.
Monopoly casino uk. If you enjoy those Hold and Spin bonuses, you’ll have plenty of variations of game to enjoy while you wait for that full screen – and resulting Grand Jackpot.